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Manufacturer Description

“Nothing a lot less than a cultural phenomenon” (Moviemaker Magazine), Quentin Tarantino’s PULP FICTION has been hailed by critics and audiences worldwide as a movie that redefined cinema. Tarantino delivers an unforgettable cast of characters – which includes a pair of very low-rent strike males (John Travolta and Samuel L. Jackson), their boss’s hot wife (Uma Thurman) and a desperate prizefighter (Bruce Willis) – in a wildly entertaining and exhilarating mix of crime-thriller-drama-comedy that is fully first and completely unforgettable. Nominated for seven Academy Awards® which includes Best Photograph and Best Director, PULP FICTION packs the punch like an adrenaline shot to the heart.

With the knockout 1-two punch of 1992's Reservoir Pet dogs and 1994's Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking planet, exploding into prominence as a cinematic heavyweight contender. But Pulp Fiction was a lot more than just the follow-up to an remarkable first feature, or the winner of the Palme d'Or at Cannes Movie Festival, or a script stuffed with the kind of juicy bubblegum dialogue actors just enjoy to chew, or the car that reestablished John Travolta on the A-checklist, or the reasonably very low-price range ($8 million) impartial showcase for an ultrahip combination of established marquee names and growing stars from the indie scene (amongst them Samuel L. Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin, and Phil Lamar). It was a lot more, even, than an unprecedented $a hundred-million-as well as strike for indie distributor Miramax. Pulp Fiction was a sensation. No, it was not the 2nd Coming (I actually feel Reservoir Pet dogs is a a lot more sizeable movie and P.T. Anderson outdid Tarantino in 1997 by producing his directorial debut with two even a lot more mature and accomplished pictures, Difficult 8 and Boogie Nights). But Pulp Fiction packs so significantly energy and creation into telling its nonchronologically interwoven shorter tales (all about temptation, corruption, and redemption amongst present day criminals, huge and small) it leaves viewers each exhilarated and exhausted--hearts racing and knuckles white colored from the journey. (Oh, and the infectious, surf-guitar-dependent soundtrack is tastier than a Royale with Cheese.) --Jim Emerson